Showing posts with label Naubat Shahnai. Show all posts
Showing posts with label Naubat Shahnai. Show all posts

Friday, June 18, 2010

Music from the Shrines of Ajmer & Mundra



Music from the Shrines of Ajmer & Mundra
recordings by John Levy
Tangent Records - TGM-105 - P.1970
[ also published by Lyrichord - LLST 7236 - P.1970's.]




Side A

A1 Classical Naubat Shanā'i (Mundra) Prabhāti, Dīpchandī 6.49
A2a Classical Naubat Shanā'ī (Ajmer) Rāgamāla, Tīntāl and Dādra 4.58
A2b Classical Naubat Shanā'ī (Ajmer) Rāgamāla, Tīntāl and Dādra 7.51


Side B

B1 Kacchi Kāfi - Dārbarī Kānāda, Dadra 5.47
B2 Popular Naubat Shahnā'ī (Jabbalpur) Thumrī 10.26
B3 Mashak (Indian bagpipes) Folk-tune 1.54
B4 Popular Naubat Shahnā'ī (Bhopal) Thumrī 4.21

N.B. Track 2a and 2b appear as one track on the record.




The shrine at Mundra


The shrine at Ajmer 1941


The gateway at Ajmer

Naubat Shahnā'ī (Jabbalpur)

Here is one more excursion by John Levy into the formal music of Naubat Shahnā'ī. And Kacchi Kafi, a rare piece of vocal music accompanied on the shahnai. There is even one short piece for bagpipe.

Kacchi Kāfi


Naubat Shahnā'ī (Bhopal)

Although we had the music preserved much of the meta information was hard to find and this time we have to thank another good friend in music who generously shared from his extensive information and helped with the scans. Just to keep the accompanying inlay leaf from getting lost over the years is a feat only achieved by good archival routines and we thank him much for cultivating these skillful means that add to the quality in no small way.

Sulaiman Jumma (Naqqara)


Maula Bakhsh, Shahnā'ī player


Mumtaz Ahmad with Tabal (Ajmer)



Saturday, June 12, 2010

Classical Music of India - Recordings by John Levy P.1969



Classical Music of India
Featuring renowned soloists
Recordings by John Levy
Nonesuch Explorer - H 72614 - P. 1969




Side 1

A1 Bansri (tranverse flute) Yaman 8'10 Devindra Murdeshwar
A2 Sarangi (fiddle) Puriyadhanashri 6'12 Fateh Khan
A3 Jaltarang (cup-harmonicon) Bhupali 4'35 Chintamani Jain
A4 Thumri (love-song) Bhairavi 6'11 Mohammed Ismail

Side 2

B1 Rudra Vina (stick zither) Chandrakauns 5'40 Zia Mohiuddin Dagar
B2 Haveli Sangit (devotional song) Gauri 14'25 Amarlal
B3 Naubat Shahna'i (Royal Gateway Music) Todi 7'40 Suleiman Jumma & Sumar Jumani, Abdullah Ramatulla



This LP comes with an accompanying leaflet with annotations by John Levy and Jairazbhoy.


Graciously recieved by his Excellency, who was in very good spirits, I partook in an unplanned and most impromptu repast at his mansion some afternoons ago. As on previous occasions music is always omnipresent, and in the continued sitting that ensued, where selfless presence were being expounded while leisurly sipping tea contemplating the there and now, we came upon the topics of many good artists that have long passed. And sighing, that even thou there are many young budding talents, the reasons for making the music seems to have fundamentally changed.


Suleiman Jumma & Sumar Jumani, Abdullah Ramatulla

His Excellency suddenly mentioned the Naubat Shahna'i piece represented on the LP in the latest blogpost, the John Levy compilation on CBS. I was bemused that he took time to follow my blog and even more so when he said he had been inspired by the idea to preserve these old records and I was very happy indeed to see him pulling out another record, saying that those recordings, also by John Levy, must have been made around the same time as the one in my post. To my big surprise there was not only tracks with Naubat Shahna'i, but one more track with jaltarang, also by Chintamani Jain, a sarangi track by Fateh Khan and above all, a short but very good Chandrakauns, played on the been by Ustad Zia Mohiuddin Dagar.


Zia Mohiuddin Dagar


Chintamani Jain

Hidayat Khan

Mohammed Ismail

He kindly lent me his copy of the record and I hope you will all enjoy. He was even kind enough to let me botanize on my own in the shelves, so I can assure you that there are several other good and rare records that will follow. It was also understood that our meetings could maybe be elevated to a jour fixe, set aside for music and contemplation.


Devindra Murdeshwar

Fateh Khan

Amarlal