Tuesday, June 15, 2010

Festival of India Presents - The Great Tradition - Masters of Music



Festival of India Presents - The Great Tradition - Masters of Music
EMI HMV India - EALP 1453-54 [2LP] - P.1984



Hindustani

1-01 Bhopali [1911] 3.16 Zohra Bai
1-02 Bhairavi [1948] 4.22 Bhundu Khan [sarangi]
1-03 Shudda Kalyan [1949] 4.23 Abdul Karim Khan
1-04 Lalit [1940] 3.18 Fayyaz Khan
1-05 Nat Kamod [1946] 4.09 Kesar Bai Kerkar
1-06 Dev Gandhar [1964] 4.11 Krishnarao Shankar Pandit

2-01 Gujri Todi [1951] 3.11 Bade Ghulam Ali Khan
2-02 Hori [1962] 4.39 Siddheshwari Devi
2-03 Gaur Sarang [1961] 4.50 Mallikarjun Mansur
2-04 Ramdasi Malhar [1965] 6.35 Amir Khan
2-05 Asavari [1960] 4.12 Gangubai Hangal



3-01 Shree [1965] 6.25 Ravi Shankar & Ali Akbar Khan [Sitar & Sarod]
3-02 Tilak Kamod [1961] 4.09 Vilayat Khan [Sitar]
3-03 Bageshwari [1964] 2.55 Kishori Amonkar

Karnatic

3-04 Kasiramakriya [1950] 4.02 Ariyakudi Ramanuja Iyengar
3-05 Saramati [1971] 3.15 Dwaram Venkataswamy Naidu [Violin]
3-06 Mohanam [1956] 4.01 Maharajapuram Viswanatha Iyer



4-01 Todi [N.D.] 3.36 T.N. Rajaratnam Pillai [Nagaswaram]
4-02 Kalyani [1965] 4.10 Madurai Mani Iyer
4-03 Adi Tala [1969] 3.53 Palghat Mani Iyer [Mridangam]
4-04 Mayamalavagaula [1975] 2.45 D.K. Pattamal
4-05 Vachaspati [1982] 3.31 Doreswamy Iyengar [Vina]
4-06 Nata [N.D] 4.04 M.D. Ramanathan
4-07 Sankarabharanam [1970] 4.04 T.R. Mahalingam [Flute]





Early on, also in the mid to later part of the sixties, an intellectual engineer that had been deported to the little community where I grew up, together with a few local students, and of course I was one of them, that had already been singled out as impossible to use for the footballteam, or most any other normal social activity like pair dancing, drinking and fighting, started a film club that graciously borrowed the local Movie theatre when nothing else was showing started to arrange screenings of movies by Fellini, Bergman and Bunuel and several Japanese and some Indian movies among them the Satjayit Ray movie Jalsaghar The Music Room witch had a big impact on me, I was more or less ignoring the underlying message of the movie and focused happily on the music and dance parts.

Well, it is a bit confusing to try to come up with a first post of Indian vocal music as there are so many wonderful singers!

How to choose, when each one of these singers has opened up a new universe to me. And as I mentioned in previous posts, I had, after indulging for some years in the instrumental music, more or less completely abandoned any other listening after I finally made contact with the vocal music.

The first I heard was really the greatest singers in all of hindustani music. Each absolutely phenomenal! The first records I remember came from two friends, that very quickly, one after the other, lent me some EMI HMV India LP's of Abdul Karim Khan, Bade Ghulam Ali Khan, D.V. Palushkar, Amir Khan, Vilayat Hussain Khan and Kesar Bai Kerkar. Can you imagine anything to surpass this? It was impossible to choose one before the other, so I immediately fell in love with all of them! They very soon to be followed by Omkarnath Thakur, Bhimsen Joshi , C.R. Vyas, Dagar Brothers, Mallikarjun Mansur, Kumar Ghandarva, Amanat & Fateh Ali Khan, Nazakat Ali & Ustad Salamat Ali and Lakshmi Shankar. Even the then by the purists shunned Parween Sultana reached my ears and I found also her singing to be delightful but that was before she hooked up with the to Dilshad Khan who in my opinion were not at all up to her standard. It went further and a little later I was also listening to real obscurities like Mushtaq Hussein Khan, Rajab Ali Khan.

I tried to understand something about the different gharanas and must say that at my young age I failed. There was very little guidance and very hard to do any comparative listening, but it did not matter because my ears and heart was open and I was filled to the brim with this music, I was breathing it like someone that had been held under water for a very long time and finally came up for air!

This went on for a long while and I was far from satiated but then the Karnatic sky opened with another downpour of fantastic artists and much like I had been totally enchanted by the reeds of Bismillah Khan I was now blown to pieces by the exploding tavil and fantastic Nagaswaram of T.N. Rajaratnam Pillai and Karukurichi P. Arunachalam. And now and then when the tempo was getting too excited, I was mildly brought back into a state of peacful bliss by the mercyfull voice of M.S. Subbulakshmi and only quite a bit later did I find the male singers like Madurai Mani Iyer, Alathur Brothers, M.M. Dhandapani Desikar, Nedunuri Krishnamurthy, and my big favourites M.D.Ramanathan, and Madurai Somasundaram

I am only listing so many names to give balance to my first vocal post and I promise that in due time I will try to post any LP's by the artists mentioned here and still some more, as they surface or come in my way!

For my first posts I had selected one LP each by Kesar Bai Kerkar, D.V. Paluskar, Amir Khan, Abdul Karim Khan and Bade Ghulam Ali Khan but just now when I had a very fruitful conversation with one of my good friends at Panchamkauns editorial board, only some minutes ago, I came to mention this double LP compilation. While I read to him the track listings, I realized that tracks by most of the great artists I have mentioned above were included.
And when I remembered that almost half of the second LP of the compilation moved from the North into Tamil Nadu and Karnatic music with equally strong names it was suddenly very clear that this would have to be the next post. Not entirely vocal but in most parts a very good selection I decided to go with this one and I hope you like it!

The gatefold is rather surprising in it minimalistic information, so when you open the gatefold the two brown pages are left blank.

Fortunately, at least the artists and tracks are given on the back of the LP and with years of recording but no more.



I have seen several copies of this double LP and none of them had any accompanying leaflet. None of the photos of artists in this post are included on the LP's covers and is to be regarded as "extra decoration" only.

As there is no information whatsoever on the LP itself about the artists here is at least photos and dates and more details will follow as I start to post the individual albums later.

Hindustani

Zohrabai "Agrewali"
c. 1868-1913 - Agra


Bhundu Khan
1880–1955 - sarangi - Delhi


Abdul Karim Khan
1872-1937 Kirana


Fayyaz Khan
1880-1950 Kirana


Kesar Bai Kerkar
1892–1977 Jaipur-Atrauli


Krishnarao Shankar Pandit
1893-1989 - Gwailor


Bade Ghulam Ali Khan
c.1902–1968 - Patiala


Siddheshwari Devi
1907-1976 - Varanasi?


Mallikarjun Mansur
1910-1992 - Jaipur-Atrauli

1912-1974 - Indore

Gangubai Hangal
1930-2009 - Kirana


Ravi Shankar
1920- Sitar - Maihar


Ali Akbar Khan
1922-2009 - Sarod - Maihar


Vilayat Khan
1928-2004 - Sitar - Etawah


Kishori Amonkar
1932 - - Jaipur-Atrauli




Karnatic




1890–1967


Dwaram Venkataswamy Naidu
1893-1964 - Violin

Maharajapuram Viswanatha Iyer
1893-1964

T.N. Rajaratnam Pillai
1898–1956 - Nagaswaram

Madurai Mani Iyer
1912–1968

Palghat Mani Iyer
1912-1981 - Mridangam


D.K. Pattamal
1919–2009


Doreswamy Iyengar
1920–1997 - Vina



MDR in concert

M.D. Ramanathan
1923-1984


T.R. Mahalingam "Mali"
1926—1986 Flute




13 comments:

owlqaeda said...

i tend to my gardening for a few minutes & come baque to find what has to be my favourite post on any blog in the history of blogs. new terminology will have to be established to define anthems for the nation of luobaniya. this spot surely transcends whatever the word blog was initially suppose to mean. what a fuggin stellar share. mesmerizing

Miguel said...

Now that post leaves me speechless!

Thank you Bolingo ... :)

that's all I can say!

Take care!

mi

Anonymous said...

...jeez!!!

arvind said...

I'm surprised and happy to know that such a compilation was published at all. It looks like a near-perfect introduction to the greats of both Indian Classical traditions.

For anyone who has been wanting to dig deeper into Indian Classical music, this comes as a godsend!

Thanks, bolingo!

sudzy said...

Many thanks for this. I am so happy to come across a blog posting Indian music. You might check out some of my posts here:
http://www.demonoid.com/files/?uid=858175&seeded=2

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Subarashi Hinode said...

I don't know how to listen. I can't find the link...but for some reason it does not bother me. I love the photos the musicans and the detail and appreciation in the notes. I'll keep on looking at this blog. It's a wonderful tribute to the history of music.

Thank you for your effort and time you put in.

Subarashi Hinode said...

It was my computer!!
The link works... I can't wait to hear...

Again, thank you.

bolingo69 said...

Dear Subarashi Hinode!

Good that you found out how to get to "The Music"

It is all described in the first post of this blog...

Juzt click on "The Music" or "Music" at the end of each post and all shall be revealed.

sudzy..

I looked but could not find any of your posts at demonoid!

Anonymous said...

PLEASE: FLAC OR WAV.
IT IS A JEWEL OF THAT TO TAKE CARE IN THE TIME.

EMMANUEL

fnwerocsdf said...

hi there. thanks again for all the reups. i may be mistaken, but i think the wrong link is posted. the file is "[EALP 1295] D.V. Paluskar (320)". just thought i would let you know since you already reupped all files. thanks again, and (hopefully) look forward to listening to this soon!

bolingo69 said...

I have changed the link to point to the right file! Thanks for pointing it out!

Love Letters Journal said...

Your project continues to marvel, enlighten, delight, fascinate and inspire comrade Bolingo. If you did it all once it would already be a fantastic effort -- the fact that you have systematically re-uploaded nearly everything, adding a few more for good measure, is astounding.

As a small contribution to your sterling work, let me point out that the link here is incomplete: instead of 'https' it says 'ps', which can cause some distress for those like me who click on it to find an error message. I eventually figured it out, but others might not.

All the best
Siddiq Khan