Showing posts with label Khayal. Show all posts
Showing posts with label Khayal. Show all posts

Friday, January 28, 2011

Bhimsen Joshi - Memorial posts - Recorded in his home on his 65th birthday!









Indisk Konstmusik - Gammal tradition i en ny värld
(Indian art-music - Old Tradition in a New World)
Caprice - CAP 2022 - P.1987


Prof. Debu Chaudhuri, sitar

Side A

A1 Raga Bagesri 21'30
A2 Raga Maund 7'55

A1, A2 recorded in the home of Debu Chaudhuri, New Delhi, 87.01.28
recorded 23 years ago on the day!


Dr. S. Balachander, veena

Side B

B1 Raga Varali - Ne pogoda kunte - Thyagaraja 28'45

B1 recorded in Bani Center, Madras 87.01.03



Pandit Bhimsen Joshi, vocal

Side C

C1 Raga Todi - Aaj more mana logo langarawa - Khayal 14'59
C2 Raga Bhairavi - Thumri 12'32

C1, C2 recorded in the home of Bhimsen Joshi, Poona 87.02.06
recorded on his 65'th Birthday!





Pandit Hariprasad Chaurasia, flute

Side D

D1 Hariprasad Chaurasia - Raga Mishra Khamaj - 12'46

Pandit Shivkumar Sharma, santur

D2 Pandit Shivkumar Sharma - Raga Chandrakauns 12'50


D1 recorded in the home of Hariprasad Chaurasia, Bombay 87.02.03
D2 recorded in the home of Shivkumar Sharma, Bombay 87.02.03



This is the final memorial post of Bhimsen Joshi for at least a week or so. Not because I ran out of records to post but we really should not have so much of the best at the same time.

The good friend Arvind reported in at the last moment with these reading fruits from studying obituaries to Bhimsen Joshi the whole day.

He writes:

This one by Deepa Ganesh in The Hindu I found most interesting. Though its short, there is a considerable amount of insight, into the man and his music, and many good anecdotes. I think she tells the story (which will now enter legend) of how the young Bhimsen ran away from home and ultimately found his way to Sawai Gandharva and the Kirana gharana, in a very interesting way:

A wanderer both in life and in music, Bhimsen would often go missing from home, to his parents' great worry. From the age of three, he was wont to wander off — following the muezzin's prayer of Allahu Akbar as he tried to grasp its notes, or listening to the musicians in a nearby temple. As if in a trance, the little child would follow bhajan mandalis and wedding processions, completely tuned to musical notes and switched off to all else. His father would often lodge complaints with the police, only to find that a Good Samaritan had brought the boy back home. However, at 11, the boy left home for good after quarrelling with his mother, because she could not afford to serve him ghee with rice. He stomped out, leaving his food untouched. This turned out to be the turning point in his musical journey too. Listening to the gramophone recording of Raga Jhinjoti sung by the maestro of the Kirana Gharana, Ustad Abdul Karim Khan, in a nearby teashop, he set his heart on learning from him. He stood at the Gadag station and took a train heading north. The penniless lad gave ticket collectors the slip by moving between compartments, singing songs for fellow passengers and begging for food. He stopped at Pune, Bombay and finally, after three months, reached Gwalior. He met and learnt from various maestros, but was not satisfied. He then went from Kharagpur to Calcutta, and on to Delhi, finally reached Jalandhar, where the Gwalior maestro, Vinayak Rao Patwardhan, advised him to learn from Sawai Gandharv in Kundagol, Karnataka. - It continues here


These recordings were made in connection with the India Festival '87, a comprehensive presentation of Indian Culture in Sweden in 1987. Bhimsen Joshi held several concerts in Stockholm and I was fortunateley able to attended all of them. Unfortunately I have not been able to locate any recording from these concerts but maybe if we are lucky, someone sees this post and points me to some location where I can search. Better yet, someone has a recording and shares it with us! There are indeed other very well known artists on this record , and I may come back later with individual post of the these artists but the reason I don't dwell upon them is because my main reason to post this double LP is because of the C-side with Bhimsen Joshi recordings. Again we can thank my good friend his Excellency who kept this record away from the dents of time. The recording with Debu Chaudhuri is made in his home in Bombay 23 years ago on the day! The recording of Bhimsen Joshi is made on the 6th of February in 1987, in his home in Poona, and on his 65th birthday! In little more than a week, that is 23 years ago!





Saturday, January 1, 2011

Ustad Mushtaq Hussain Khan - Great Master Great Music


Ustad Mushtaq Hussain Khan - Great Master Great Music
EMI-His Masters Voice - ECLP-2608 - P.1980


Side One

A1 Raga Bihag - Khayal & Tarana

Side Two

B1 Raga Desh - Tarana
B2 Raga Sarfarda Bilawal - Tappa
B3 Raga Zila - Thumri

accompaniment:

Shakoor Khan, sarangi
Lalji Gokhle, tabla



The first few posts of this year I decided to dedicate to some little known masters that are more and more falling into oblivion. I hope the high quality of the music will make up for for the sometimes flawed recording techniques and pressings that are made manifests here. If not, the mere scarcity of these recordings might be enough compensation. As usual, the original LP is in perfect condition and has previously been played only a few times.

Mushtaq Hussein Khan of the Rampur-Sahaswan Gharana


Mushtaq Hussain Khan (1880-1964) is considered one of the leading lights of the Rampur-Sahaswan vocal school. He was trained by his father Kallan Khan and elder brother Ashiq Hussain Khan. He also sought taleem from his father-in-law Inayat Hussain Khan, the doyen of the Rampur-Sahaswan gharana, and Senia Wazir Khan.


Mushtaq Hussain Khan was honoured with the President’s Award in 1952 and the Padma Bhushan in 1957.
He trained a number of students.

Reference: Musicians of India (Naya Prokash, 1993) by Amal Das Sharma.





Ustad Rajab Ali Khan - Great Master Great Music



Ustad Rajab Ali Khan - Great Master Great Music
EMI-His Masters Voice - ECLP-2618 - P.1980


Side One

A1 Khayal - Raga Jaunpuri - Maan ki lagan kaun jane - jhaptal

Side Two

B1 Khayal - Raga Bageshree - Kaun karata tori binati - trital




The first few posts of this year I decided to dedicate to some little known masters that are more and more falling into oblivion. I hope the high quality of the music will make up for for the sometimes flawed recording techniques and pressings that are made manifests here. If not, the mere scarcity of these recordings might be enough compensation. As usual, the original LP is in perfect condition and has previously been played only a few times.

Rajab Ali Khan of the Jaipur Gharana*

Rajab Ali Khan (1874-1959), born in Narsingarh, Madhyam Pradesh, learnt music from his father Manglu Khan, Amritsen (Senee) and Bade Mohammad Khan (Gwalior). He was a court musician of Dewas and Kolhapur. In his day, Rajab Ali Khan was known as much for his tremendous musical acumen as for his picaresque ways. A master vocalist, he was also proficient on the Rudra Veena, Sitar and Jala-Tarang. Several musicians of high standing learnt from him, among them his nephew Aman Ali Khan of the Bhendibazar Gharana (and through Aman Ali the influence extended to Amir Khan), Nivruttibuwa Sarnaik, Ganpatrao Dewaskar and others. Lata Mangeshkar, too, briefly took Taleem from Rajab Ali during her stint under Aman Ali. In 1909, he was conferred the title of Sangeet Ratna Bhushan by the Maharaha of Mysore. His last big musical programme was held in 1957, in Bombay.

*Note: Ustad Rajab Ali Khan is also referred to as belonging to the Jaipur gharana even though he has no association with the lineage of Ustad Alladiya Khan. Rajab Ali Khan hailed from Dewas near Japiur and was highly influenced by Ustad Alladiya Khan. Although he shared many stylistic traits with Alladiya Khan, he belonged to the lineage of Ustad Mughal Khan.






Friday, December 31, 2010

Ustad Amir Khan - Ahir Bhairav, Bageshree


Ustad Amir Khan - Ahir Bhairav, Bageshree
EMI-His Masters Voice - ECLP 41546 - P.1984 - (All India Radio)



Side A

A1 Ahir Bhairav - Khayal - Vilambat – Jhoomra, Drut – Tritaal



Side B

B1 Bageshree - Khayal - Vilambat – Jhoomra, Tarana – Tritaal











Saturday, June 19, 2010

Ustad Amir Khan - Great Master Great Music


Ustad Amir Khan - Great Master Great Music
EMI - ECLP 2765 - P.1976



Side 1

A1 Khayal Bilaskhani Todi

Side 2

B1 Khayal Abhogi