Showing posts with label Prestige de la musique extraeuropéenne. Show all posts
Showing posts with label Prestige de la musique extraeuropéenne. Show all posts

Saturday, May 21, 2011

Nikhil Banerjee - Râga Monomanjari - Paris 1975


Le Sitar de Nikhil Banerjee • Râga Monomanjari 
Prestige de la musique extraeuropéenne, l'Inde vol.1
Disques Espêrance - ESP 155530 - P.1976 



Nikhil Banerjee, this time recorded in Paris 1975. I like very much his more contemplative and slower pace while developing the ragas, and this is one time we have to admit that the format of the LP is not ideal. We are left with beautiful music but still feel a little betrayed as it ends so fast. The longer format of the CD is of course better suited and still the LP was such a tremendous leap from the cut up pieces on 78 rpm's that had to extend over several sides. The affection remains because often we can only hear some of the best artists in recordings on older media. Hope you enjoy this record from this french series with a rather quaint and pretentious name but with the most lovely of all psychedelic covers of the seventies. We had a few of them here already, but there will be several more coming later from this series. Hope you enjoy!








Side A

A1 Râga Monomanjari, alap, gat - 23'15
dans le style dhrupad, raga du soir

Side B 

B1 Râga Manj Khamaj, alap, gat - 15'15
dans le style thumri, raga du début de la nuit

B2 Bengal Folk tune - 9'00





Music ▼ +

Saturday, November 6, 2010

ESP 165506 Le Koto de Yusen Kuzuhara et le Shakuhachi de Teiji Itoh - Vol.3



Prestige de la musique extraeuropéenne - Le Japon - Vol. 3
Le Koto de Yusen Kuzuhara et le Shakuhachi de Teiji Itoh
Disques Espérance - ESP-165.506 P.1978



Face A

A1 Kumoi jishi
A2 Sho-chiku-bai
A3 Shika-no-tohne


Face B

B1 Miyako no haru





Kuzuhara Yuzen, Koto
Itoh Teiji, Shakuhachi



ESP 165505 - Le Koto de Yusen Kuzuhara - Vol.2 - P.1978


Prestige de la musique extraeuropéenne - Le Japon - Vol. 2
Le Koto de Yusen Kuzuhara
Disques Espêrance - ESP 165.505 - P.1978


Face A

A1 Chidori no kyoku
A2 Rokudan no shirabe

Face B

B1 Adikaze no kyoku
B2 Yachiyo jishi




This is my favourite of the three japanese records in this series , probably because of the singing. Yuzen Kuzuhara hailing from the Yamada school of koto, sings to her own accompaniment.




Le Koto de Hiromu Handa - Vol.1 - P.1977



Prestige de la musique extraeuropéenne - Le Japon - Vol. 1
Hiromu Handa - Le Koto de…
Disques Espêrance - ESP 155.551 - P.1977







Face A



1 Yumé-no-shinnaï, petite pièce à la manière de shinnai, musique pour shamisen


2 Itsugui-no-komori-uta, berceuse d'Itsugui, village de la région de Kumamoto au Kyûshû
3 Karéi-naru-shirabé, impromptu inspiré par la beauté des kimonos de cérémonie.
4 Sado-Okessa, chant populaire de l'île Sadogashima sur Okéssa, rythme spécifiquement japonais
5 Sandan-chô, piece en trois mouvements
6 Kyo-uta, mélodie avec des refrains nostalgiques

Face B

7 Sakura-kaété-godan, cinq variations sur l'air Sakura (fleur de cerisier)
8 Yoï-matsuri impression musicale au soir de la fête (matsuri) de l'enfence
9 Hônen-matsuri, compositions sur la fête de la moisson. Thème et développements
10 Midaré, œuvre classique composée par Kurabashi-Kengo (mort en 1724)








Hiromu Handa,




半田弘


Born in Osaka in 1934. He began his studies on Shakuhachi when he was six years old with his father who was an amateur musician. At the age of 13 he took up studies in Shamisen and Koto. He participates in numerous concerts and in 1953 he gained considerable appreciation for his composition "The night train" that was praised by enthusiastic critics.









Living




near Tottori, on the Sea of Japan, he devoted himself to research on new techniques of playing the koto, published some of his











research in





an essay entitled "The possibilities of the right hand of the koto player". Performer and composer, Hiromu Handa has enjoyed high esteem in Japan and in foreign countries where he has given many recitals over the years.













I have not been able to find any other recordings by him but there was a constant rumour back in the seventies that he was considered to avantgard and unorthodox with his constant experimenting with plucking techniques for someone insisting to stay in the tradition. I have not been able to find any printed text supporting these rumours and if anyone has any more information on him and his music, please share it in the comments to the post!





























Wednesday, November 3, 2010

ESP 165.528 Park Sang-Won · Le Kayagum de … - P.1979




Prestige de la musique extraeuropéenne. La Corée vol.1
ESP165528 Park Sang-Won · Le Kayagum - P.1979




Face A

Yongsan-Hoesang

1 Sangryungsan
2 Joongryungsan
3 Serryungsan
4 Karak-duli
5 Sanghyun-dodri
6 Hahyun-dodri
7 Yombul-dodri
8 Taryung

Kemyun-Dodri - Yangchung-Dodri

Face B


Sanjo

1 Jinyangjo
2 Joong-Mori
3 Joongjoong-Mori
4 Kut Kuri
5 Jajin-Mori
6 Hwi-Mori


Here is an LP that came to me as a revelation in the late seventies. I was very impressed with the keeping of time in the music, especially of the Sanjo compositions. I was listening at the same time to a small ensemble playing shaman music that I had found on a set of 8 K7's that had been presented by an Korean National institute to an institution here and that I had managed to borrow. I will try later to post all of those K7's as well as they contain great music but there is still musch editing to do before they will show up here. Anyhow I start with this one out of Korea as I have not been able to find any volume 2. At least for the moment that makes the publications of this subsection complete!

Park Sang-Won

[Born in Seoul in 1950, studied traditional classical music at the National Institute for Korean Classical Music. In 1978 he was invited to the USA and in 1979 he performed at a concert of Corean Classical Music in Carnegie Hall.]


I will present more records from this series by Disques Espérance, as it has a few real pearls in it, and I will publish my attempts at a discography of the series pompously named "Prestige de la musique extraeuropéenne" in as much detail as possible, at least as far as I have been able to reconstruct it by today. Any more information is most welcome. See my previous post for a first list of titles!

Tuesday, November 2, 2010

Prestige de la Musique Extraeuropéenne - Disques Espérance

The French label Disques Epérance had a very ambitious catalogue in the seventies of Asian music mostly in the classical traditions and with a heavily lopsided slanting towards the Indian traditions. Most of their catalogue consisted of publications on Indian classical music, but also included some titles as we shall later see, from Japan, Korea, China, Nepal, and Tibet.

The series started out with a very pompous name that seams to have changed at least once during the years of publication. I will try to restore some of that catalogue and although I do not have all the titles available I feel I have enough to start with and at least take a stab at it. Hopefully the ones I am missing will surface either from some of my helpful friends or who knows, from an innocent bystander, good natured and kindhearted enough to help out.

So here I have the pleasure to present, in its various sub series, the catalogue of:



Disques Espérance
Prestige de la Musique Extraeuropéenne



Prestige de la Musique Extraeuropéenne - L'Inde

ESP 155530 Le Sitar de Nikhil Banerjee - vol.1 Râga Momonmanjeri - P.1976
ESP 155532 La Flute de Hariprasad Chaurasia (flûte) Râga Shudh Sarang - P.1976
ESP 155537 Le Sarode de Brij Narayan - P.1976
ESP 155538 Le Sarangi de Ram Narayan vol.4 - P.1976
ESP 155548 Le Violon de M.S. Gopalakrishnan vol.5 Raga Bhairavi
ESP 165504 Pandit Nikhil Banerjee (Sitar) Râga Piloo
ESP 165510 La Vina de S. Balachander vol.6 Raga Mayamalavagaula
ESP 165516 La Flute de N. Ramani (flûte) Bhajan Cheyavadha

ESP 165532 Les Sitar et Surbahar de Narendra Bataju (Nepal?)
ESP 165540 Le Sitar de Nikhil Banerjee (Sitar) Râga Desh
ESP 165543 Le Santur de O.P. Chourasiya vol.8 - P.1981

Traditions Classiques de l'Orient - L'Inde

ESP 8401 Le Chant mystique des Bauls "Revêts ton costume Baul"
ESP 8402 Pandit Nikhil Banerjee (Sitar) Raga Jogiyâ-Kalingada - vol.10
ESP 8403 Pandit Hari Prasad Chaurasia (flûte) Raga Lalit
ESP 8408 La Flute de Pandit Hari Prasad Chaurasia (flûte) Raga Bhupali
ESP 8409 Krishnamurti Sridar (Sarod) Râga Malkauns
ESP 8410 Ustad Amjad Ali Khan (Sarod) Deux râgas de l'après-midi "Râga Shuddh-Sarang"
ESP 8412 Parveen Sultana et Dilshad Khan (chant khayal) Râga Kalavati
ESP 8413 Le Chant Dhrupad de Ustad Zia Fariduddin Dagar - vol.15
ESP 8414 Pandit Nikhil Banerjee (sitar) Râga Patdeep
ESP 8416 Pandit Hari Prasad Chaurasia (flûte) Râga Madhyamad Sarang
ESP 8426 Pandit Hari Prasad Chaurasia (flûte) Râga Yaman
ESP 8439 Le Shahnai D'Ustad Bismillah Khan - Traditions Classiques de l'Orient - Inde Vol. 19

I also have found a listing of this LP but it looks as if there is a typo in the catalogue number and therefore needs further investigation. Maybe someone who has the record can help!

(ESP 8402 Le Violon de l'Inde du Sud : L. Subramaniam vol. 10 - P.1983)

Prestige de la musique extraeuropéenne - La Corée

ESP165528 Park Sang-Won - Kayagum vol. 1 - P.1979


Prestige de la Musique Extraeuropéenne - Le Japon

ESP 155551
Hiromu Handa - Le Koto de Hiromu Handa, Vol. 1
- P.1977
ESP 165505 Le Koto de Yusen Kuzuhara - Vol. 2 - P.1978
ESP 165506 Le
Koto de
Yusen Kuzuhara et le
Shakuhachi de
Teiji Itoh - Vol. 3
- P.1978

Traditions Classiques de l'Orient - Chine Vol 1

ESP 8417 Troupe Paysanne du Luochan (musique du théâtre d'ombres) Le village de Dajia


I do not know under what serial title the following LP was issued, but it is maybe also from China even though it is from Tibet ;-)

(I cannot say if it is recorded in Chinese Tibet or in India, as I have not seen the physical records.)

ESP 8433 Théâtre musical tibétain "Prince Norsang"


I have not yet established the year of publication for some of the titles and in some instances I have not been able to give the volume number. I am sure there must be some missing records as well, so any additional information is most welcome!

Hope someone finds this useful and will enjoy the LP's that are to come!