Showing posts with label Malkauns. Show all posts
Showing posts with label Malkauns. Show all posts

Monday, January 24, 2011

Bharat Ratna Pandit Bhimsen Joshi 1922 -2011 - Rest in Peace...


Bhimsen Joshi - Ragas Malkauns, Maru Behag
EMI India - ECLP-2276 - P. 1962 (rec.1961)
(also EMI-Odeon - MOCE 1029)






Side 1

Raga Malkauns
- Pag lagan de - Bilampat - ektal
- Rang raliya karat - Drut - teental

Side 2

Raga Maru Bihag
- Rasiya ho na - Bilampat - ektal
- Tarapat raina dina - Drut - teental




After a fantastic productive life with an enormous contribution to Indian Classical and devotional music the last living of the older tradition carriers and one of the truly great exponents of the Kirana Gharana Bhimsen Joshi passes away earlier today January 24, 2011 in a hospital in Pune after a long time of weak health. Having listened to his music since the sixties I feel as if someone very close has left us. Although anyone that is dear to us and that moves on does leave us grieving, but one must still remember what a rich life both in experience and artistic achievement that he must have led.

I feel both really sad and in a strange way also very happy, that unlike many others, he was able to share so much of his art and that there are so many recordings that we can listen to as compared to several other artists of his stature.

Let me share a few of his early albums with you and start with one of the very first that I heard. This is his third LP on Indian EMI with beautiful renderings of the ragas Malkauns and Maru Behag. On the back of the LP he is described as: "Probably one of the most promising and talented amongst the younger set of classical singers today! "

It was recorded when he was 39 years old, and had been singing in the AIR concerts already since 1941, when he was only 19 , and since he was born 1922 that makes the year of recording 1961... exactly fifty years ago...


Pandit Bhimsen Gururaj Joshi (Kannada: ಪಂಡಿತ ಭೀಮಸೇನ ಗುರುರಾಜ ಜೋಷಿ, Marathi: पंडित भीमसेन गुरुराज जोशी), (February 4, 1922 - January 24, 2011) was an Indian vocalist in the Hindustani classical tradition. A member of the Kirana Gharana (school), he is renowned for the khayal form of singing, as well as for his popular renditions of devotional music (bhajans and abhangs). He is the most recent recipient of the Bharat Ratna, India's highest civilian honour, awarded in 2008. (from Wikipedia)

Pune, Jan 24 (PTI) The mortal remains of Bharat Ratna Pandit Bhimsen Joshi were consigned to flames this evening with state honours in the presence of tearful mourners ... (link)


Sunday, January 2, 2011

Ustad Amir Khan - Hansdhwani, Malkauns



Ustad Amir Khan - Hansdhwani, Malkauns
EMI-His Masters Voice - EASD-1357 - P.1970



Side A

A1 Hansdhwani - Jai maate vilumbh taj de


Side B

B1 Malkauns - Jin ke man ram biraje
B2 Malkauns - Aaj more ghar aaila baalma (B1,B2 are presented as one track)


accompaniment:

Jnan Prakash Ghosh, harmonium
Afaque Hossain Khan, tabla





Saturday, January 1, 2011

Bade Ghulam Ali Khan - Raga Goonkali, Malkauns



Bade Ghulam Ali Khan - Raga Gunkali, Malkauns
EMI-His Masters Voice - EALP-1258 - P.1968?



Side A

A1 Goonkali - Ae kartar pooree karo

Side B

B1 Malkauns - Eree kab avey sajan - Bilampat
B2 Malkauns - Ab yahi bhed hota - Drut






Sunday, November 21, 2010

Bismillah Khan - Shenai Nawaz




Bismillah Khan - Shenai Nawaz
EMI India - EALP-1289 - P.1964




Side 1

A1 Malkauns, teental

Side B

B1 Des, teental
B2 Thumri, Tilak Kamod




Hope this one finds an equally interested audience as the last one. This album is one of the earlier recordings by Bismillah Khan, you just have to love the cover! As far as the presented ragas are concerned, they belong to the part of the day that also allows me to listen, namely the night! The three hours of night before midnight, I'm am usually still listening by the break of dawn, but the best part for listening is really the six hours around midnight.


Not in the South though, where everything mostly finishes up at the latest a little after ten in the evening. Though late nights work in Bombay, it is not so in Madras, where they get up real early. Actually they get up just around the time when I find it necessary to go to bed. Therefore I often miss the morning prayers and chanting by the tank and I always regretted that but, someone has to make sure the passage of night is made safe as well!

I love the intimacy of the Thumri at the end of side 2, and the Des preceding it has a magical ambience and although the surface noise in the beginning of the track is a bit annoying it does get better as the tune progresses and the quality of the music will certainly capture you anyhow. Again there is no visible wear on the copy and it is played but a few times, but alas vinyl is delicate...

I'll post some more instrumental records before I get on to all the vocalists I mentioned before and that I want so much to share with you.

So much music! So little time!

Here anyhow, you can listen to one more great Bismillah Khan!