Showing posts with label Ocora. Show all posts
Showing posts with label Ocora. Show all posts

Saturday, May 7, 2011

Musiques du Gabon - Recorded in 1967 by Michel Vuylsteke


Musiques du Gabon 
- Fang, Kota, Masango, Ndjabi, Obamba, Pounou, Pygmée
Recorded in 1967 by Michel Vuylsteke
Ocora - OCR 41 - P.1968



Side A

A1 Arc-en-bouche Masango
A2 Chant funèbre Masango
A3 Ensemble Fang avec xylophone
A4 Orchestre de xylophones Fang
A5 Chant épique avec mvet Fang


Side B

B1 Chant de marche Obamba
B2 Dance sur échasses Ndjabi
B3 Récit chanté Pounou
B4 Musique d'initiation Kota
B5 Chant avec harpe Pygmée
B6 Chœur de femmes avec tambour Pygmée





Here is another of the african Ocoras. I have little to add except that I like the music very much and that I highly recommend you to listen to it. Hope you enjoy!



Arc en bouche Moungongo 
Track A1


Harpe arquée Gonfi 
Track A2 


Xylophone Melane 
Track A3


Xylophone Endoume 
Track A4


Xylophone Nieng
Track A4


Xylophone Omvac 
Track A4


Xylophone Akourou 
Track A4


Xylophone Ololon
Track A4


Ensemble de Xylophones
Track A4


Harpe chitare Mvet
Track A5


Pluriarc Nsambi
Track B3



Harpe arquée Gonfi
Track B5






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Friday, May 6, 2011

Nomades du Niger Touareg & des Bororo - P.1965


 Nomades du Niger 
- Musiques des Touareg & des Bororo
Rec. 1963 by Tolia Nikiprowetzki
Ocora - OCR 29 - P.1965



Side A

A1 Ouane - Ouane 5:25
A2 Aboraki 5:23
A3 Ehayalla - Ahane 1:35
A4 Henne - Amhee 3:35

Side B

B1 Tikichkichene 4:42
B2 Tekalelt 2:35
B3 Tailalt 4:15
B4 Ouankalanine 3:00
B5 Musique Bororo 2:58






Again one of the early Ocoras I like so much! This one has some very good tracks 

















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Saturday, April 30, 2011

Nigéria - Musiques du plateau - Rec. 1972 by Benoît Quersin





Nigéria - Musiques du plateau
Angas, Birom, Jarawa, Burom, Yergam, Pyem
Recorded in 1972 by Benoît Quersin
Institute of African Studies 
Ocora - OCR-82 - 1974?







Side A

1 Deng-deng
 - chanson avec accompagnement de harp molo 3'14
2 Solo de xylophone kundung 3'02
3 Bwana
 - chanson avec accompagnement de harp molo 2'00
4 Chanson de Angas
 - chanson avec accompagnement de chitare molo 3'35
5 Chanson de Pyem
 - chanson avec accompagnement de chitare molo 6'05
6 Ensemble de flûtes sharawa, et tambours du village 4'20


Side B

1 Ensemble de sifflets izur nfiko 2'30
2 Musique Komtin - chœur et idiophones 4'53
3 Orchestre de molo de Maisage Zindam Ndam 5'25
4 Orchestre de molo de Zhimak Tyem 2'44
5 Danse Wasam Burum avec tambours 3'08
6 Danse et chants Kida manoma 2'45
7 Vièles monochordes goge 1'50



I posted some Nigerian recordings recently released on the lable Bärenreiter and here is another Nigerian but on the no less prestigious lable Ocora. There are some very good tracks here that I hope you will enjoy!

Here is a quote from the sleeve:

The Jos Plateau, where the recordings on this record were made, rises to an average height of twelve hundred metres in the centre of Nigeria. It makes up the northern extreme of Benue-PlateauState. one of the twelve states of the Federal Republic of Nigeria. politically reorganized since 1967. Without doubt the countryside includes some of the most beautiful in western Africa, and the climate of these highlands gives it a Mediterranean appeal. But what the plateau is particularily known for is the discovery of rich veins of tin just below the surface. the exploitation of which brought to light surprising archeological remains. These reveal the existence of a very old civilization (800 BC to 200 AD) where an iron industry was wide-spread and where art had reached a high level : the "Nok Culture''.

If this civilization fortold the states which were to appear in the neighbouring districts from after the eleventh century. their creators are not the ancestors of the present day plateau populations : these forty or so tribes and sub-tribes of various origins, each possessing its own language and traditions, are as yet largely unknown. With a very independant character. there were for a long time a worry to the British Administration which had wanted, since 1904, to control these "Plateau pagans ", as they were called by the Hausa Moslems.

"Living in their own villages and prefering their own company, they are still largely spectators of the approach of civilisation", remarked a high official in 1933. This is of course no longer true today; but the plateau tribes were amongst the last in Nigeria to accept the change.

Six tribes are represented on this record. If we look at the different traditions, the Pyem originated from a country to the north. Gobir, and were amongst the first wave of immigrants. The Angas remembered having lived in Kanem, and then Bornu before the arrival of the Kanuri pushed them out, towards the 13th or 14th century; from this large tribe several other plateau groups were derived, including the Tal, which in turn gave rise to the Yergam or Talok (signifying "comes from Tal "). The Burum, present neighbours of the Yergam. say they originated from the Jukun, of which they would have been a branch or vassal tribe. During the 16th and 17th centuries, Angas, Burum and Yergam were a part of the Jukun Empire - also called Kororofa - which experienced at the time an extraordinary development with the conquest of the territories east and south of the Plateau, as well as the Kano and Zaria Hausa Kingdoms to the north-west.

This expansion would also have lead the Birom, who lived in the forests to the south, to move to the plateau. The Kororofa State dissolved in the 18th century in circumstances which remain mysterious, and the political and cultural centre moved towards the north: the jihad (holy war) of the great leader Fulani Usman dan Fodio started in 1804 in fact, and in it his followers subdued in some six years all the Hausa States and Jukun dependent outlying Plateau tribes. The interior tribes resisted the invaders. However, the Fulani made little effort to convert or assimilate the “pagans”, being satisfied to collect tributes. Only the Burum are largely islamic. but their case is different. They gave themselves from the beginning of the 18th century a dynasty of Kano origin.

Finally. the few Jarawa groups established not far from Jos, came from the Bauchi Emirat where the large part of the tribe are still found.

Despite their diversity, the Plateau tribes share the same type of existence : an essentially agricultural economy with a few handicrafts (pottery basket-making, weaving, forging). The dwellings are round huts with conical roofs, grouped in circles. Several compounds make a village.

Most of these societies have not developed a centralized political organisation. independant groups rarelv passing one or several villages (Birom), or a section of a tribe (Yergam, Angas). The Pyem had however a ‘supreme chief' with politico-religious functions.

Ancestor cults. with nature spirits, and agricultural fertility rites play an important role (cf. tracks A-2, A-3, and B-1).

The languages belong to the Benoue-Congo branch of the Niger-Congo group, except for the Pyem, which is an Afro-asiatic language.



Kundung xylophone


Molo harpe


Ikpang ichir


Akishak calabash rattles


Raft zither


Harpe and castanets


Wasam burum dance


Goge onestring fiddle


Sistre





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Wednesday, April 27, 2011

Madagascar - Valiha - Recorded 1963-4 by Charles Duvelle




Madagascar - Valiha
Recorded 1963-64 by Charles Duvelle
with support from Michel Razakandraina
Ocora - OCR-18 - P.1965




Side A


A01 Musique Merina - Talakimaso 2'13
A02 Musique Merina - Antanambao 2'24
A03 Musique Merina - Ambohimandroso 2'44
A04 Musique Saklava - Analava 2'47
A05 Musique Saklava - Nossi-Bé 2'58
A06 Musique Bara - Sakaraha 2'48
A07 Musique Antanosy - Fort Dauphin 2'25
A08 Musique Betsimisaraka - Tamatave 5'07


Side B


B01 Samy faly - par Rakotozafy 3'17
B02 Hitako ianao anito - par Rakotozafy 2'36
B03 Diavolana - par Sylvestre Randafison 2'43
B04 Marofotsy - par Sylvestre Randafison 2'50
B05 Mokatejy - par Sylvestre Randafison 2'12
B06 Ny fitiavako anao - par Maurice Halison 2'10
B07 Ombimanga voatora-defona - par Maurice Halison 3'11
B08 Kalo takariva - par Maurice Halison 1'27
B09 Ny afindrafindrao tsy azo avela - par Maurice Halison 2'50







Tombeau mahafaly

Valiha tubulaire en bamboo à 16 cordes metalliques 
(Track A1)

Valiha tubulaire en bamboo à 18 cordes metalliques
(Track A2)

Valiha tubulaire en bois à 18 cordes metalliques
(Track A4)

Valihas tubulaire en bamboo à 16 cordes metalliques hochet faray
(Track A5)

Valiha tubulaire pose sur résonateur lokanga hochet
(Track A6)

Valiha tubulaire pose sur résonateur lokanga hochet
(Track A7)

Tubular valiha, detail
(Track A7)

Sylvestre Randafisson
(Tracks B3-B5)

Valiha sur caisse en bois à 18 cordes metalliques
(Track A8)

Valihas tubulaires en bamboo
(Track B6)

Valiha chromatique par Maurice-Halison
(Track B8)





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