Saturday, February 19, 2011

Thyagaraja Bhagavathar - Tamil Filmi Songs 1937-1953




Thyagaraja Bhagavathar - The Golden Voice - Tamil "Filmi" Songs
EMI Odeon - 3AE CX 5509 - P.1965




Side A

A1 Swappana Vazhvil - Sivakavi [1943] 5'45
A2 Krishna Mukunda Murare - Haridas [1944] 6'40 movieclip
A3 Manmatha Leelaya - Haridas [1944] 6'40
A4 Rajan Maharajan - Shyamala [1953] 5'30
A5 Unknown track 6'40
A6 Sathvaguna Bodhan - Ashok Kumar [1941] 6'20

Side B

B1 Dheena Kurunakarane - Thiruneelakantar [1939] 6'00
B2 Unaikkandu - Ashok Kumar [1941] 5'35
B3 Amba Manamkaninthu - Sivakavi [1943] 6'40
B4 Maraival Pudhaitha - Thiruneelakantar [1939] 5'35
B5 Gnanakkan Onru - Chintamani [1937] 6'10
B6 Nattiyakkalaye - Sivakavi [1943] 5'40





It is really about time that we move a bit south and to tell you the truth Tamil Nadu and Carnatic singing holds much of the miraculous medicine that makes me happy deep in my heart. Hindustani classical is very good for healing wounds and nurturing ones tormented soul, but the true magic is to be happy and believe in it without any proof or obvious reason. Actually there are still so many more reasons in the world why we should not be happy and the crux is of course that it is better to dwell upon happiness than sadness and that in itself is the best reason. Well, anyhow Carnatic music does just that for me. It puts me in a very sound mood of believable happiness without ignorance and in spite of what I see around me of greed injustice and destruction I am still not ashamed. Please come join me in some semiclassical Carnatic filmi music and in following posts we shall take the filmi and devotional road gradually moving via Nagaswaram temple music of T.N. Rajaratnam Pillai, Sheik Chinnamoulana, and some wonderful Carnatic instrumentalists like Lalgudi G. Jayaraman, and Palghat T.S. Mani Iyer, towards the real heavyweights and stalwarts of Carnatic Classical singing with artists like Smt. M.S. Subbulakshmi, M.D. Ramanathan, Manu Somasundaram, D.K. Pattammal, M.L. Vasanthakumari, Madurai Mani Iyer, Chembai Vaidhyanata Bhagavatar and there is no end to the list... Anyhow hope you enjoy this nowadays forgotten singer, once widely popular that I present in the hope that you will be smitten with the good feelings and the exuberant happiness that flows from this music!




Mayavaram Krishnamurthy Thyagaraja Bhagavathar
(Tamil: மாயவரம் கிருஷ்ணமூர்த்தி தியாகராஜ பாகவதர்)
(1 March 1910 – 1 November 1959)

His name is really a mouthful, but as is the tradition, forming acronyms of names of famous people to shorten them, he was also known as M.K.T., and he was not only a Tamil film actor and producer but also a wonderful Carnatic music singer. He is considered to be one of the most successful Tamil film actors ever and I think of him as the K.L. Saigal of the south.

Bhagavathar was born in the town of Mayiladuthurai in then Tanjore district of the Madras Presidency, British India. He started his career as a classical singer and stage artist in the late 1920s. In 1934, he made his début in films with the movie Pavalakkodi which turned out to be a hit. From 1934 to 1959, Bhagavathar acted in 14 films of whom 6 were box-office hits.

Bhagavathar's 1944 film Haridas, ran for three consecutive years at Broadway Theatre, Madras and created the record for the longest continuous run at a single theatre.

Bhagavathar was arrested in 1944 as one of the main suspects in the Lakshmikanthan Murder Case and spent three years in prison before being released in 1947 after a re-trial found him innocent. Bhagavathar's career declined after his arrest and though he did continue to act in Tamil films after his release from prison, none of them did well. Bhagavathar died of diabetes at the age of 49 on 1 November 1959.

Bhagavathar was acclaimed for his powerful, melodious voice and the ease with which he could sing high pitch notes. Critics and film historians acknowledge Bhagavathar as the "first superstar of Tamil cinema".

Bhagavathar was a philanthropist and contributed for important social and religious causes. He was awarded a "Diwan Bahadur" title by the Governor of Madras for his contribution to the British war efforts during the Second World War but he turned it down.

M.K.T. made his début in the 1934 film Pavalakodi; in all, he appeared in 14 movies before he died. Most of his films were record-breakers. Thiruneelakandar, Ambikapathi, Chintamani were among the first highly successful Tamil films. Haridas, released in 1944, was possibly his biggest success as its ran continuously for three years at the same Theatre.



Papanasam Sivan (Tamil: பாபநாசம் சிவன்)
September 26, 1890 - October 10, 1973


A prominent composer of Carnatic music and a singer, also known as Tamil Thyagayya. Using Classical South Indian as a base, Sivan created numerous hits popularised by M. K. Thyagaraja Bhagavathar and M. S. Subbulakshmi. I will post several more of his compositions as you will see from future posts. In his old age he was approached by a journalist who asked him why he was not composing anymore, the answer was laconic "There are no more Thyagaraja Bhagavathars ....



Some of the filmposters



And still some more to read here:





Friday, February 18, 2011

The Syrian Maqams - Recorded by Deben Bhattacharya


The Syrian Maqams - The Living Tradition
Recorded and Produced by Deben Bhattacharya
Argo - ZFB 58 - P.1972



Side A

A1 Bashraf Sama'i Taatiyus
A2 Taqsim on Nay
A3 Taqsim on Violine
A4 Ajam on Buzuk


Side B

B1 Hijaz
B2 Rasd
B3 Taqsim on 'Ud

A1,A3, B1-B3 Recorded in Damascus 1955
A2,A4 Recorded in Damascus 1960

Named Musicians:

Badruddin Halibie, ney A2
Joudad Halibie, qanun A1
Muhammad Jabban, ud A1,B3
Muhammed Abdul Karim, buzuk A4






Thursday, February 17, 2011

Music from Iran - 1955 recordings by Deben Bhattacharya


Music from Iran - The Living Tradition
Recorded and Produced by Deben Bhattacharya
Argo - ZFB 51 - P.1971



Side A

A1 Shur on Santour - Hossein Saba 7'39
A2 Shur on Tar - Jabad Aliyani 13'15

Side B

B1 Shahnama - Recitation from book of Kings by Firdowsi 14'01
B2 Mahour on Setar - Eskandare Ebrahimi 8'17


A1, B1, Recorded 1955, Tehran
A2, B2, Recorded 1955, Meshed


Another of Deben Bhattacharya's early recordings from 1955. Magnificent music and certainly pioneering work of this budding fieldrecorder. I often find that the earliest recordings have a most delicate atmosphere and having now listened to many of his recordings in a row, I certainly prefer the recordings he did in the Indian subcontinent and Asia Minor to the ones in Eastern Europe. There are definitely some gems there as well but in my opinion less so. Maybe I am just biased because I like Indian, Persian and Arabic music so much. In some days you will be able to judge for yourself. Just one or two more LP's before we go to Europe.





Wednesday, February 16, 2011

Music from the Himalayas - Recordings by Deben Bhattacharya


Music from the Himalayas - The Living Traditions
Recordings and sleevenotes by Deben Bhattacharya
Argo - ZFB 40 - P.1967


Side A


A1 Chholia dance 4'30
A2 Kherey Kà Nách 5'10
A3 Shrikand Natti 2'50
A4 Bhamnu and Dohay 1'40
A5 Shad-ritu Varnan 4'25
A6 Tibetan dance drama (extract 1) 2'30
A7 Tibetan dance drama (extract 2) 1'20


Side B

B1 Lama Chhopa 1'15
B2 Khampti mask dance 2'15
B3 Khampti ballad 1'35
B4 Dimacha Kachari 2'10
B5 Ben 2'25
B6 Kachari ballad 2'30
B7 Tingteila 2'35
B8 Phanguri lament 1'45
B9 Maran Mahon 2'45
B10 Lumlaola 3'20

The lables were the same on both sides of my copy, both were of side 1!
Is there anyone who can supply a photo or scan of the B-side label?




Tuesday, February 15, 2011

Bengal - Musical Atlas - Unesco



Bengal - Musical Atlas - Unesco
Recordings, Commentary and Photographs by Manfred Junius, Alain Daniélou, Samir Naguib
EMI-Italiana - 3 C 064-17840 P.1972









Purna Chandra Das & Haripado Deva Nath





Side A

A1 Baul song - Purna Chandra Das and Party 5'11
A2 Baul song - Purna Chandra Das and Party 4'37
A3 Baul song - Haripado Deva Nath 3'17
A4 Bhatiyali song - Haripado Deva Nath 3'20
A5 Flute - Debu Bhattacharji 6'42
A6 Flute - Ahmad Shafui 2'40
A7 Flute - Ahmad Shafui 2'13

Side B

B1 Bhajana - Rathin Ghosh and Party 11'40
B2 Kirtana - Rathin Ghosh and Party 12'07
B3 Song - Firdausi Begum 3'01
B4 Song - Sham Sunhar Karimar 3'09









Here is another album with music from Bengal this time recorded not by Deben Bhattacharya but by Manfred Junius, Samir Naguib and with the hand of Alain Daniélou in the notes and selection. Deben was working for Alain Daniélou around the 1950's before going to London. I wonder what kind of work that was and how much music it was an influence to either party. I have not run out of Deben's recordings , nor have I ran out of recordings of Bauls and Bengali music, I just thought it would be good with some change like "same same" but different... There are so many good records and so much good music I often do not know where to continue. Anyhow rest assured that there will be many more field recordings not only by Deben Bhattacharya but by many others. Anyhow I always considered the music of much bigger importance than who recorded it. Not that I am not full of gratitude to the people who did make it possible for us to hear this but the river that flows on and on is always bigger than a drink of water no matter how refreshing. Some of this music actually does not quench my thirst but makes me more thirsty and wanting to drink more and more...






Monday, February 14, 2011

Music from Bangla Desh - Recorded by Deben Bhattacharya


Music from Bangla Desh - The Living Traditions
Recordings and sleevenotes by Deben Bhattacharya
Argo - ZFB 74 - P.1971


Side A

A1 Dotara 2'43
A2 Song of the Freedom Fighters 7'33
A3 Folksong from Noakhali 3'43
A4 Baul song 4'07
A5 Patriotic song 6'15



Side B

B1 Seasonal song 4'57
B2 Love song 6'17
B3 Wedding song 5'53
B4 Song from Chittagong 5'05
B5 Bamboo flute 2'50

All recordings were made in 1971 during the months of October and November.



Children at the orphanage Khelaghar in Calcutta founded by
Srimati Maitreye Devi.

The back of the record sleeve, that was published the same year as the big homicide, also contained a plea for donations to an institution for orphaned children that where survivors after victims of the massacre of intellectuals.
The atrocities committed against several groups of East Pakistan, like Hindus and Bihari minorities by the Pakistani army and their collaborators were reported with disgust all over the world ... read more




Sunday, February 13, 2011

Religions of India - rec. Deben Bhattacharya



Religions of India - The Living Traditions
Recordings and sleevenotes by Deben Bhattacharya
Argo - ZFB 55 - P.1971




Side A

A1 Temple Bells and drums 1'43
A2 Vedic Chants - Pandit Durga Prasad 3'13
A3 Raga Asavari - Hori Dhamari-ke-pad - Dhruvadas Maharaj 5'38
A4 Kazhagam 2'53
A5 Mariyamman Padal 2'30
A6 Mira's Bhajan 3'35

Side B

B1 Namo tatsat - Pali prayer - Buddhist 3'42
B2 Tibetan prayer - Buddhist 5'35
B3 Pali prayer - Buddhist 4'35
B4 In praise of Guru Nanak - Sikh 6'36



A1, A6, Recorded 1954, Varanasi (Benares)
A2 Recorded 1968, Amer (Jaipur)
A3 Recorded 1968, Brindavan
A4, A5, Recorded 1962, Dehli

B1, B2 Recorded 1968, Sarnath
B3 Recorded 1954, Calcutta
B4 Recorded 1955, Amritsar

Some more of the earlier field recordings by Deben Bhattacharya that not only are valuable historical documents but also makes good listening. Again some of these recordings are very moving and makes for good time travels. I especially enjoy the Sikhs praising Guru Nanak.





Saturday, February 12, 2011

Songs of Krishna - Rec. by Deben Bhattacharya 1954,1968



Songs of Krishna - The Living Tradition
Recordings and sleevenotes by Deben Bhattacharya
Argo (Decca) - ZFB 52 - P.1971




Side A

A1 Raga Bhupali 11'28
A2 Kathak Krishnalila 4'10
A3 Mira, Bhajan 5'08

Side B

B1 Mathur 16'48
B2 Raga Vasant 6'03


A1, rec. in Jhodpur 1968
A2,A3,B2, rec. in Jaipur 1968
B1, rec in Assansol 1954






This is one of my real favourite of all the records that Deben Bhattacharya made. This LP is full of good music and atmosphere that feels close to me and carries many of the signs that I think are the best illustrations of Deben Bhattacharyas philosophy of recording.
It is also the very label that published all of his first recordings and there is a great site, both with lots of information about the label and excellent discographies, so you can whet your appetite guessing what else could be coming in my later posts from their catalogue.

More info on the label Argo check here!

Well, anyhow it belongs to the best ones I have heard sofar! If he made 130 albums like it says on the backsleeve comments then I have still to find a lot more than the thirty, forty I have been able to hear until now. So if anyone has a good copy of any of his recordings on LP I would be delighted if you could consider sharing those with me and if the quality of photos and the rip meets the standards that I like to keep here on Anthems I will be delighted to post it. Anyhow I will continue to collect them here in one way or another.

I still have a handful of the Indian and Middle Eastern and then a few from his East European
excursions but eventually I will go dry. Wonder if his Java Bali LP on Musidisc was any good?
Anyhow this one definitely is and I hope you like it as much as I do. Not only for the Music,
but for the closeness to the surroundings. A car horn honking in the distance right after a song
some outside noices all giving a wider context than the music room, the small tactile ambient sounds I like so much, in no way disturbing the music only making it more breathing and vivid.